17,435 Royalty-Free Audio Tracks for "Midi Files Of Musical Chords"

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

C triad open position.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

German sixth equals dominant seventh

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Dominant eleventh chord in four-part writing.

Minor chord on C

Dominant eleventh without third.

Dominant ninth chord on C.

G major chord, root in red.

Minor major sixth chord on C.

D chord in all fourths tuning.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Alternate augmented ninth chord on C.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

German sixth with 6/4 resolution, generated on Sibelius.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Thirteenth chord CMA13(sharp11).

D-over-F-sharp slash chord.

Major triad on C in first inversion.

Created using Sibelius.

Minor triad on C

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Major seventh chord on F.

Diminished seventh chord on C

Seventh augmented fifth chord on C.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Created by Hyacinth (talk) using Sibelius.

Lydian chord on C.

G7alt chord.

Eleventh chord diatonic on C.

Fifteenth chord from Schoenberg on C

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Neapolitan sixth in C minor.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.